Film Studio
Monetize your movies before release.
- List movies
- Sell advertising opportunities
- Approve campaigns
- Receive payments
- Deliver production packages
The world's first Film Advertising Marketplace
Filmmakers monetize upcoming movies through premium advertising placements. Brands discover, reserve and launch campaigns inside cinematic content before release. It all happens in one platform.
No spreadsheets. No endless negotiations. No fragmented production workflow.
Live placement pipeline
runningChoose your workspace
Adora adapts to who you are the moment you sign in — studio, advertiser, agency or contributor.
Monetize your movies before release.
Reach audiences through premium storytelling.
Manage campaigns across multiple brands.
Sell premium B-roll and cinematic assets.
How Adora works
One continuous workflow that replaces the spreadsheets, email chains and one-off production deals.
Title, synopsis, cast, release window, platforms and the scenes open to advertising.
Browse upcoming films by genre, audience, territory and placement type.
Lock the slot, agree terms and pay into protected escrow — no negotiation thread required.
Brand DNA drives artwork that matches the scene's light, lens and grade.
A production package lands in the cutting room with plates, mattes, tracking and LUTs.
Frame-accurate proof is verified, the movie launches, and everyone gets paid.
Movie launches → placement verified → everyone gets paid.
Why film studios love Adora
Sell advertising inventory while the film is still in post. Cashflow arrives before the premiere, not eighteen months after it.
Approve every advertiser. Approve every campaign. Reject anything that doesn't fit your story — the veto is always yours.
Rates, availability, terms and settlement all live inside Adora. No decks, no back-and-forth, no lost deals.
Generate premium advertising creative that matches your grade and lens without hiring an external design team.
Why brands love Adora
Nobody skips a scene. A placement inside a story people chose to watch carries weight no pre-roll ever will.
Featured movies
Every listing carries its release window, distribution platforms and the placements still open.
Featured advertising opportunities
Real surfaces inside real scenes. Each one links straight into reservation.
Act I · arrivals hall
$18,000
Act II · chase sequence
$24,500
Act I · commute
$6,200
Act III · skyline reveal
$32,000
Act II · city crossing
$4,800
Act I · market street
$9,400
Adora Studio™
The AI stays behind the curtain. What arrives is a finished, production-grade asset your editor can actually use.






Reference Mode™
Feed Adora a reference clip or plate and it inherits the light, lens and grade instead of inventing its own.
Everything you need
Discovery, reservation, creative, delivery, verification and settlement — nothing left to email.
Discover upcoming movies, reserve advertising opportunities and manage every campaign in one place.
Generate production-ready branded frames and clips that sit inside the scene, not on top of it.
Upload your brand once — logos, type, colour, tone and rules. Reuse it forever.
Simple usage-based pricing. You only pay when AI actually does work for you.
Plates, mattes, tracking data and LUTs, delivered in a format editors can drop straight into the timeline.
Every advertising placement is verified against the delivered creative before publication.
Filmmakers, advertisers and agencies talk in-thread, attached to the placement they're discussing.
Protected payments with automated settlement the moment a placement clears verification.
AI Credits™
Adora calculates the real cost of every AI generation from the underlying providers, applies one transparent pricing model, and charges credits only when work is actually done. No seats. No idle subscriptions.
Wallet
Current balance
1,284 credits
Estimated cost — next generation
Commercial Rendering™ · 4 concepts — 18 credits
Recent transactions
Success stories
Illustrative scenarios while our founding studios, brands and agencies onboard.
“We sold four placements before the first cut was locked. The film was cashflow positive before the premiere.”
Head of Production · Feature Studio
“Our brand appears inside a scene people chose to watch. Nobody skipped it, and the creative matched the grade exactly.”
Brand Director · Consumer Goods
“Six clients, one dashboard. Reservations, creative and settlement all live in the same place for the first time.”
Managing Partner · Media Agency
“My B-roll library became recurring income instead of a hard drive nobody opens.”
Cinematographer · Contributor
Frequently asked questions
Join the future of cinematic advertising.